LSE creators
Number of items: 7.
Public
Charlton, Ed
(2021).
Improvising reconciliation: confession after the Truth Commission.
Liverpool University Press.
https://doi.org/10.3828/9781800344808
picture_as_pdf
Charlton, Ed
(2020).
The zero-hour city: writing London in the end times.
GeoHumanities,
6(2), 280 - 294.
https://doi.org/10.1080/2373566X.2020.1768880
picture_as_pdf
Charlton, Ed
(2020).
Trashing Johannesburg: Ponte City-as-archive of everyday loss.
Cultural Geographies,
27(2), 277 - 292.
https://doi.org/10.1177/1474474019871636
picture_as_pdf
Charlton, Ed
(2017).
Melancholy mapping: a ‘dispatcher’s eye’ and the locations of loss in Johannesburg.
Thesis Eleven,
141(1), 14-30.
https://doi.org/10.1177/0725513617720240
Charlton, Ed
(2017).
Apartheid acting out: trauma, confession and the melancholy of theatre in Yaël Farber's He Left Quietly.
Theatre Research International,
42(01), 55-71.
https://doi.org/10.1017/S0307883317000062
Charlton, Ed
(2016).
Photo blog: Johannesburg: A City Between.
Charlton, Ed
(2015).
From liberation to liberalization: Newtown, the Market Theatre, and Johannesburg's relics of meaning.
Interventions: International Journal of Postcolonial Studies,
17(6), 826-838.
https://doi.org/10.1080/1369801X.2014.998263