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  • Charlton, Ed (2021). Improvising reconciliation: confession after the Truth Commission. Liverpool University Press. https://doi.org/10.3828/9781800344808 picture_as_pdf
  • Charlton, Ed (2020). The zero-hour city: writing London in the end times. GeoHumanities, 6(2), 280 - 294. https://doi.org/10.1080/2373566X.2020.1768880 picture_as_pdf
  • Charlton, Ed (2020). Trashing Johannesburg: Ponte City-as-archive of everyday loss. Cultural Geographies, 27(2), 277 - 292. https://doi.org/10.1177/1474474019871636 picture_as_pdf
  • Charlton, Ed (2017). Melancholy mapping: a ‘dispatcher’s eye’ and the locations of loss in Johannesburg. Thesis Eleven, 141(1), 14-30. https://doi.org/10.1177/0725513617720240
  • Charlton, Ed (2017). Apartheid acting out: trauma, confession and the melancholy of theatre in Yaël Farber's He Left Quietly. Theatre Research International, 42(01), 55-71. https://doi.org/10.1017/S0307883317000062
  • Charlton, Ed (2016). Photo blog: Johannesburg: A City Between.
  • Charlton, Ed (2015). From liberation to liberalization: Newtown, the Market Theatre, and Johannesburg's relics of meaning. Interventions: International Journal of Postcolonial Studies, 17(6), 826-838. https://doi.org/10.1080/1369801X.2014.998263
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