LSE creators

Number of items: 50.
Article
  • Banet-Weiser, Sarah, Higgins, Kathryn Claire (2022). Television and the “honest” woman: mediating the labor of believability. Television and New Media, 23(2), 127-147. https://doi.org/10.1177/15274764211045742 picture_as_pdf
  • Banet-Weiser, Sarah (2021). Ruined lives: mediated white male victimhood. European Journal of Cultural Studies, 24(1), 60 - 80. https://doi.org/10.1177/1367549420985840 picture_as_pdf
  • Chouliaraki, Lilie, Banet-Weiser, Sarah (2021). Introduction to special issue: the logic of victimhood. European Journal of Cultural Studies, 24(1), 3 - 9. https://doi.org/10.1177/1367549420985846 picture_as_pdf
  • Hearn, Alison, Banet-Weiser, Sarah (2020). Future tense: scandalous thinking during the conjunctural crisis. European Journal of Cultural Studies, 23(6), 1054 - 1059. https://doi.org/10.1177/1367549420946412 picture_as_pdf
  • Hearn, Alison, Banet-Weiser, Sarah (2020). The beguiling: glamour in/as platformed cultural production. Social Media and Society, 6(1), 1 - 11. https://doi.org/10.1177/2056305119898779 picture_as_pdf
  • Bratich, Jack, Banet-Weiser, Sarah (2019). From pick-up artists to incels: con(fidence) games, networked misogyny, and the failure of neoliberalism. International Journal of Communication, 13, 5003 - 5027. picture_as_pdf
  • Banet-Weiser, Sarah (2019). Absence and exclusion notes on a girls’ public sphere – a response to Kate Eichhorn’s ‘girls in the public sphere: dissent, consent, and media making’. Australian Feminist Studies, https://doi.org/10.1080/08164649.2019.1661772
  • Banet-Weiser, Sarah (2018). Postfeminism and popular feminism. Feminist Media Histories, 4(2), 152-156. https://doi.org/10.1525/fmh.2018.4.2.152
  • Banet-Weiser, Sarah, Miltner, Kate M. (2016). #MasculinitySoFragile: culture, structure, and networked misogyny. Feminist Media Studies, 16(1), 171-174. https://doi.org/10.1080/14680777.2016.1120490
  • Banet-Weiser, Sarah (2015). Keynote address: media, markets, gender: economies of visibility in a neoliberal moment. Communication Review, 18(1), 53-70. https://doi.org/10.1080/10714421.2015.996398
  • Banet-Weiser, Sarah (2015). ‘Confidence you can carry!’: girls in crisis and the market for girls' empowerment organizations. Continuum: Journal of Media and Cultural Studies, 29(2), 182-193. https://doi.org/10.1080/10304312.2015.1022938
  • Banet-Weiser, Sarah (2014). Am I pretty or ugly? Girls and the market for self-esteem. Girlhood Studies, 7(1), 83-101. https://doi.org/10.3167/ghs.2014.070107
  • Banet-Weiser, Sarah, Baym, Nancy K., Coppa, Francesca, Gauntlett, David, Gray, Jonathan, Jenkins, Henry, Shaw, Adrienne (2014). Forum part I: creativity: participations: dialogues on the participatory promise of contemporary culture and politics. International Journal of Communication, 8, 1069-1088.
  • Banet-Weiser, Sarah (2013). Locating critique. Communication and Critical/Cultural Studies, 10(2-3), 229-232. https://doi.org/10.1080/14791420.2013.806140
  • Banet-Weiser, Sarah (2011). Convergence on the street: rethinking the authentic/commercial divide. Cultural Studies, 25(4-5), 641-658. https://doi.org/10.1080/09502386.2011.600553
  • Banet-Weiser, Sarah, Juhasz, Alexandra (2011). Feminist labor in media studies/communication: is self-branding feminist practice? International Journal of Communication, 5, 1768-1775.
  • Banet-Weiser, Sarah, Gray, Herman (2009). Our media studies. Television & New Media, 10(1), 13-19. https://doi.org/10.1177/1527476408326028
  • Banet-Weiser, Sarah, Lapsansky, Charlotte (2008). RED is the new black: brand culture, consumer citizenship and political possibility. International Journal of Communication, 2, 1248-1268.
  • Banet-Weiser, Sarah, Portwood-Stacer, Laura (2006). ‘I just want to be me again!’ Beauty pageants, reality television and post-feminism. Feminist Theory, 7(2), 255-272. https://doi.org/10.1177/1464700106064423
  • Banet-Weiser, Sarah (2004). Girls rule!: gender, feminism, and Nickelodeon. Critical Studies in Media Communication, 21(2), 119-139. https://doi.org/10.1080/07393180410001688038
  • Banet-Weiser, Sarah (2003). Elián González and "the purpose of America": nation, family, and the child-citizen. American Quarterly, 55(2), 149-178. https://doi.org/10.1353/aq.2003.0010
  • Banet-Weiser, Sarah (1999). Hoop dreams: professional basketball and the politics of race and gender. Journal of Sport and Social Issues, 23(4), 403-420. https://doi.org/10.1177/0193723599234004
    • Audio/visual resource
  • Lordan, Grace, Banet-Weiser, Sarah, Orgad, Shani (2020). LSE IQ Is gender equality possible?
    • Book
  • Mukherjee, Roopali, Banet-Weiser, Sarah, Gray, Herman (2019). Racism postrace. Duke University Press.
  • Gray, Herman, Banet-Weiser, Sarah, Mukherjee, Roopali (Eds.) (2019). Post-racial projects. Duke University Press.
  • Banet-Weiser, Sarah (2018). Empowered: popular feminism and popular misogyny. Duke University Press.
  • Banet-Weiser, Sarah (2012). Authentic™: the politics of ambivalence in a brand culture. NYU Press.
  • Mukherjee, Roopali, Banet-Weiser, Sarah (Eds.) (2012). Commodity activism: cultural resistance in neoliberal times. NYU Press.
  • Banet-Weiser, Sarah, Chris, Cynthia, Freitas, Anthony (Eds.) (2007). Cable visions: television beyond broadcasting. NYU Press.
  • Banet-Weiser, Sarah (2007). Kids rule!: Nickelodeon and consumer citizenship. Duke University Press.
  • Banet-Weiser, Sarah (1999). The most beautiful girl in the world: beauty pageants and national identity. University of California Press.
    • Chapter
  • Glatt, Zoe, Banet-Weiser, Sarah (2021). Productive ambivalence, economies of visibility and the political potential of feminist YouTubers. In Cunningham, Stuart, Craig, David (Eds.), Creator Culture: An Introduction to Global Social Media Entertainment . NYU Press. picture_as_pdf
  • Banet-Weiser, Sarah (2019). Radical vulnerability: feminism, victimhood and agency. In Re-writing Women as Victims:: From Theory to Practice (pp. 167-181). Routledge.
  • Mukherjee, Roopali, Banet-Weiser, Sarah, Gray, Herman (2019). Introduction: Postrace racial projects. In Mukherjee, Roopali, Banet-Weiser, Sarah, Gray, Herman (Eds.), Racism Postrace (pp. 1-18). Duke University Press.
  • Banet-Weiser, Sarah (2018). Imagining intersectionality: girl empowerment and the radical monarchs. In Jenkins, Henry (Ed.), The civic imagination . NYU Press.
  • Banet-Weiser, Sarah, Castells, Manuel (2017). Economy is culture. In Castells, Manuel (Ed.), Another economy is possible: culture and economy in a time of crisis . Polity Press.
  • Banet-Weiser, Sarah (2017). Brand. In Ouellette, Laurie, Gray, Jonathan (Eds.), Keywords in media studies (pp. 24-27). NYU Press.
  • Banet-Weiser, Sarah (2017). ‘I’m beautiful the way I am’: empowerment, beauty, and aesthetic labour. In Sofia Elias, Ana, Gill, Rosalind, Scharff, Christina (Eds.), Aesthetic labour: rethinking beauty politics in neoliberalism (pp. 265-282). Palgrave Macmillan. https://doi.org/10.1057/978-1-137-47765-1_15
  • Banet-Weiser, Sarah (2014). “We are all workers”: economic crisis, masculinity, and the American working class. In Negra, Diane, Tasker, Yvonne (Eds.), Gendering the recession: media and culture in an age of austerity (pp. 81-106). Duke University Press.
  • Banet-Weiser, Sarah (2007). What’s your flava? Race and postfeminism in media culture. In Tasker, Yvonne, Negra, Diane (Eds.), Interrogating postfeminism: gender and the politics of popular culture (pp. 201-226). Duke University Press.
  • Banet-Weiser, Sarah (2007). The Nickelodeon brand: buying and selling the audience. In Banet-Weiser, Sarah, Chris, Cynthia, Freitas, Anthony (Eds.), Cable visions: television beyond broadcasting (pp. 234-254). NYU Press.
  • Baroffio-Bota, Daniela, Banet-Weiser, Sarah (2006). Women, team sports, and the WNBA: playing Like a girl. In Raney, Arthur, Bryant, Jennings (Eds.), Handbook of sports and media (pp. 524-539). Routledge. https://doi.org/10.4324/9780203873670_chapter_29
  • Banet-Weiser, Sarah (2006). Girls rule! Gender, feminism and Nickelodeon. In Newcomb, Horace (Ed.), Television: the critical view . Oxford University Press.
  • Banet-Weiser, Sarah, Herr, Rebecca (2006). Critical perspectives of the children’s media community. In Bryant, J. Alyson, Bryant, Jennings (Eds.), The children’s television community: institutional, critical, social systems, and network analyses . Lawrence Erlbaum Associates.
  • Banet-Weiser, Sarah (2004). Surfin’ the net: children, parental obsolescence, and citizenship. In Sturken, Marita, Thomas, Douglas, Ball-Rokeach, Sandra (Eds.), Technological visions: the hopes and fears that shape new technologies (pp. 270-292). Temple University Press.
  • Banet-Weiser, Sarah (2004). We pledge allegiance to kids: Nickelodeon and citizenship. In Hendershot, Heather (Ed.), Nickelodeon nation: the history, politics, and economics of America's only TV channel for kids (pp. 209-237). NYU Press.
  • Banet-Weiser, Sarah (2004). Miss America, national identity, and the identity politics of whiteness. In Watson, Elwood, Martin, Darcy (Eds.), “There she is, Miss America”: the politics of sex, beauty, and race in America’s most famous pageant (pp. 67-89). Palgrave Macmillan. https://doi.org/10.1057/9781403981820
  • Banet-Weiser, Sarah (2002). We got next: negotiating race and gender in professional basketball. In Gatz, Margaret, Messner, Michael, Ball-Rokeach, Sandra (Eds.), Paradoxes of youth and sport (pp. 93-103). State University of New York Press.
  • Banet-Weiser, Sarah (2000). Beauty pageants. In Kramarae, Cheris, Spender, Dale (Eds.), Routledge international encyclopedia of women: global women's issues and knowledge (pp. 27-29). Routledge.
  • Banet-Weiser, Sarah (1997). Fade to white: racial politics and the troubled reign of Vanessa Williams. In Cohen, Cathy, Jones, Kathy, Tronto, Joan (Eds.), Women transforming politics: an alternative reader (pp. 167-186). NYU Press.